It’s a few years back now. I’m on the ‘meet-an’-greet’ counter at a local castle in Scotland. A family enter, and one younger member mutters “oh… another bloody castle”. Frankly I’m not entirely sure how she knew it was a castle, not having surfaced from the virtual world. Maybe it will be like yesterday when I refunded the entry fees due to a tantrum that concluded in an explosive meltdown. My explanation that the lack of ‘phone connectivity was part of the ‘authentic historical experience’ on offer to the visitor probably didn’t go down too well.
That unfortunate, vaguely derogatory visiting Aussie acronym, A-B-C, might come to mind. Another Bloody City; Castle; Cathedral.
It started in Burgos simply because Burgos got in the way of our progression south. That, and I was vaguely aware of its place in British empire’s military history or at least its references in the Bernard Cornwell novels themed on the Napoleonic Peninsular War.
We’ve found a spacious room in the old town, entry off a narrow, cobbled, pedestrianised street. Calling it narrow doesn’t narrow down its location; all the thoroughfares are narrow. Some still carry the deep, worn scars of carts from the horse-drawn era. Still, the ubiquitous white Ford ‘tranny-van’ manages to negotiate the corners, even those augmented with the café-bars’ occupied tables.
A central location has a real benefit, as we can come and go throughout the day, do siesta and then paseo with the multitudes after dark. A forgiving place to retreat into. The hell-heat of summer might have gone but the habits it induces remain. The Locals are crepuscular, living in cool twilight.
Christmas cometh. The decorations of illuminated animation are placed strategically, exclusively for the photo’ opportunity for the pram-bound mother and the doting grand-dam. Twinkling installations of teddy bears and giant stars, crystal carriages and hauling reindeer. The municipality’s Christmas tree a fusion of fir tree thinnings. The plane trees crafted into arches. The latter – inosculaton, the arboreal grafting together of branches – such that when spotlit from above, throw a graphic script onto the pavement. Words of unknown provenance.
This morning The Navigator had been somewhat overwhelmed by the internals of ‘The Holy Metropolitan Cathedral Basilica Church of Saint Mary of Burgos’, the name as heavy as the ornate ceilings, the claustrophobia of chapels, the vertiginous cliffs of gilded altars pieces.
We return for something simpler.
Siesta complete, we turn left out the door and onto the cobbles to join the end-of-workday crowds for a dark-time wander onto the vast plaza that sets off the edifice. The buildings to my back, retreating to offer reverence, a breathing space, the floodlighting so artfully placed that the structure appears illuminated from within. No tackinesses of a Christmas market’s huts, no abandoned commercial traffic, no dazzle-flares to clutter the view. The cathedral rendered stark, the delicate twin spires a skeletal ossuary of bare bones, the spectral evasion of disturbed pigeon, the ghost flight of falcon. A soft focus of reflected light on the properties to its rear, an opaque arrangement of a congregational choir. All other information has been muted, all extraneous details discarded. The ‘scape a near monochromatic rendition of aesthetic simplicity.
A cathedral that will set the standard and form the pattern for the subsequent pontification of ABCs.